Views of St Paul's Cathedral II

A few minutes walk from the painted views of St Paul's in the Guildhall Art Gallery in my last post, the real St Paul's can be seen for yourself.

There are many different viewpoints:

...from street level.

...reflected in street furniture.

 

...from inside One New Change Shopping Centre, Cheapside.

...reflected in the glass walls of One New Change.

Up high on top of One New Change shopping centre there is a public roof terrace with amazing views:

...of St Paul's with a bus passing by

 

...the London Eye, you can just make out Big Ben   

...the Shard to the South East

...the old, new and yet to be built, to the West

...to the South, you can just make out the Crystal Palace mast

 

...and back to St Paul's

These views can be seen for free from the roof of the One New Change roof terrace open seven days a week.

It seems to be a bit of a secret, I haven't met many people who know it's there. It wasn't busy either time I went, even in half term. Having moaned about going, my ten year old ran out of the lift, on to the terrace proclaiming it to be 'cool!' 

http://www.onenewchange.com/11the-roof-terrace.aspx

Views of St Paul's Cathedral I

St Paul's is over 300 years old and was built on the highest point in the city. It remains a constant in an ever changing city. At the Guildhall Art Gallery, you can see paintings of St Paul's which show you how the city has changed over time, not to mention painting styles.

The Lord Mayor Proceeding to Westminster on Lord Mayor's day 9 November 1789

 Richard Paton & Francis Wheatley



The Thames by Moonlight with Southwark Bridge 1884
John Atkinson Grimshaw



The Heart of the Empire 1904 Niels Moller Lund



Blackfriars Bridge and St Paul's 1995
Anthony Lowe



Landscape 715 2003-04
John Virtue



Inside the Guildhall Art Gallery



Guildhall Yard & Art Gallery, the site of London's Roman amphitheatre

Open all week, free admission. Why not check out these paintings and the City of London's art collection at the Guildhall Art Gallery, only a stone's throw from the cathedral itself.

Have a look at the website for more details here.

A Downward Gaze

I saw the Lucian Freud Portraits at the National Portrait Gallery with a friend one Friday evening. I think it's great when museums and galleries open in the evenings. It's the kind of thing I want to do on a night out. This exhibition is open late on Thursdays, Fridays and Saturdays and for these last few days, until 27th May, it will be open until midnight. 

I found Lucien Freud's paintings both beautiful and unsettling.

I love the way he paints flesh. The colours he uses are amazing, when you get close you see so many different colours including greens and purples. He paints skin as I think it should be painted, with character, aged and contoured. I don't want to look at smooth taut skin that only exists on airbrushed models. Who really looks like that? I also like the way he uses his brushstrokes to follow the contours of skin and limbs, accentuating shadows, creases and dimples.

The unsettling bit was trying to figure out Freud's relationship between him and the people he painted, particularly in his earlier paintings, he often appeared to be looking down on them. We walked around the exhibition and realised that alot of his subjects were painted sitting slightly below his eyeline, he seemed to be looking down on them. In his self-portraits, he appeared to be looking down on us too, with a slight downward gaze, we stood just below his eyeline. 

Perhaps this didn't mean anything, but in much of his earlier work, he seemed to me to looking down both on the people he painted and us, as viewers looking back at him in his self portraits. It was quite unsettling and got you thinking about different reasons he might have perhaps done this.

Despite loving his work...  I didn't really like the way he was looking at me.

However we did have a good night out and hope that late night opening in museums and galleries will long continue. But to see this exhibition, hurry as there are only three days left.

Boat Trip

We took a Thames Clipper downstream. We began our journey at London Bridge City Pier. There was no shortage of viewpoints. We started here.

HMS Belfast, Tower Bridge, Canary Wharf.

The view looking back.

The Shard, HMS Belfast.

The Clipper crossed the Thames to the Tower of London.

When I was little the 'Bloody Tower' caused great amusement, just being able to say it out loud without getting told off for swearing was great fun.

We passed under Tower Bridge and looked back at the Shard and City Hall.

Then we had to take our seats as the captain put his foot down. We sped along past moored sailing boats with the Gherkin and the Nat West Tower in the background.

We sped past HMS Ocean, which at 125foot wide squeezed through the Thames Barrier last week. It's here to protect London during the Olympics. 

We passed by Greenwich and the newly restored Cutty Sark.

I cheated with this photo, it was taken on dry land later in the day. 

As we headed downstream the O2 came into sight. 

Then we rounded the bend to see the new TFL cable car crossing the Thames and Antony Gormley's Quantum Cloud. Both huge structures.

We got off the boat at North Greenwich Pier and watched the cable car practising. No passengers yet as it isn't quite finished.

We chatted about value for money, apparently the cable car cost 6o million pounds, "that's 10 million less than Real Madrid paid for Christiano Ronaldo".

I love the way these pictures human contrast scale, us, the figure in Antony Gormley's Quantum Cloud and the gondolas, each being able to carry 10 people.

We had a little walk around North Greenwich and got closer to the O2. 

"It feels like we're in the future", said my 12 year old. I know what she means...

Not a bad value for money trip. All this for the price of a single ticket on the Thames Clipper. 

Next time I think we'll head upstream.

Since writing this post, the cable car is up and running. Great views and especially good as the city lights come on in the evenings. 

Unexpected Connections

Learning in museums can be all about making personal connections.

Sometimes people make the most unexpected connections.

A secondary school girl spoke to me the other day,

"See that dog's head?"

"...my brother's girlfriend looks like that."

It got me thinking, which dog do I look like?

You may be thinking, just the heads? One little boy, struggling with the idea of just the heads, was saved from the brink of tears when a quick-thinking gallery attendant reassured him that all was OK because the dogs were still intact, their bodies behind the wall. He left happy. 

If you would like to see the collection of dog's heads and perhaps decide who they look like. Visit the Natural History gallery at the Horniman Museum in Forest Hill.

http://www.horniman.ac.uk/

Urban river walk...

...In Catford.

We went for a walk by the river...

...where the rivers Pool & Ravensbourne meet.

There was something for everyone.

Bird spotting...

...this is where the Nuthatch live.

Tree spotting...

...we think this is a Hornbeam.

Art...

And paddling...

...they ended up a lot wetter than this.

We also saw two jet fighters overhead...

 ...practising, air security for the Olympics.

(Sorry no photos, they were too far away and too fast)

The Riverview Walk is part of a longer walk. The Waterlink Way... 

...where we could have walked, or cycled, all the way from Sydenham to the river Thames.

That post was two years ago. Now two years on and I walk/run this route every week. Love seeing how everything changes with each season, lovely spring blossom recently.

Plus even been treated to sightings of a Kingfisher and Great Spotted Woodpecker.

You can also download video and sound works made in response to the river, 'Here Comes Everybody', either here on the website here or scan the QR code on a plaque on one of the bridges with a smartphone when you're there. 

What would your birthday cake have looked like during wartime?

Visit the Imperial War Museum in London to see this great exhibition A Family in Wartime.

A Family in Wartime tells the story of the Allpress family during the Second World War. They lived in Stockwell, South London. The exhibition documents their family life during the war, and hence tells many a family story looking at the impact the war had on everyday life, such as feeding a family, maintaining a house and garden, doing the laundry, going to school, commuting to work, not to mention birthday celebrations.

There is a beautiful small-scale model of their family home as it was during the war, made by a model maker, the husband of one of the Allpress daughters. You can view it from every angle, the bedrooms, the living room, the kitchen, the Anderson shelter and even the inside loo.

We loved this exhibition, imagining our lives in the Second World War. We sat in the Anderson shelter and imagined what it would have been like to spend the night in there, discussed who would have which bunk and how we would have assembled it in our garden. My kids were quite impressed when I told them that I had found scraps of corrugated iron when I had been digging in the back of our garden (a London terraced house) when they were little. They must have been the remains of an Anderson shelter. The Second World War has been a piece of history that they have been able to relate to and connect with personally and being at this exhibition helped that to happen as they got to see genuine artefacts for themselves.

Having thoroughly enjoyed studying the Second World War at school, we went to this exhibition  a week before their 9th birthday, to be confronted with the question, "What would your birthday cake have looked like during wartime?" A timely question.

The answer, well with sugar rationing, icing on cakes was banned during wartime from 1940, to conserve sugar. They certainly wouldn't have looked like this...

Thank goodness sugar is not still being rationing now. In fact it came off rationing in 1953, 8 years after the war had ended.

 http://www.iwm.org.uk/exhibitions/a-family-in-wartime